Saint Francis appears to Pope Nicholas V



The story of Saint Francis appearing to Pope Nicholas V is based on a Franciscan devotional tradition that became especially popular in the seventeenth century. The event itself is connected to a visit made in 1449, when Pope Nicholas V traveled with a small group to the tomb of Francis of Assisi in Basilica of Saint Francis of Assisi. In the darkened crypt, the flickering light of torches illuminated the saint’s body, which according to tradition was miraculously preserved. Later Franciscan accounts recount that during this moment the Pope experienced a profound spiritual vision of Saint Francis.

The artist, Antonio Montúfar, created a rich composition populated with a variety of characters, blending historical figures with legendary elements. Many of them are dressed in luxurious clothing. With the exception of the three figures in regal black attire in the lower left, most of the characters display distinct and expressive reactions. The trio share nearly identical poses, with tilted heads and similar features that suggest an unmistakable familial resemblance.

The pious image of Pope Nicholas V kneeling in his red papal garments contrasts sharply with the dark and mysterious character of the scene. Saint Francis, appearing before him, is depicted with glassy eyes lifted toward heaven. His hands remain hidden within the folds of his habit, while one of the stigmata is visible bleeding upon his chest. The saint’s robe appears to be made of heavy wool, emphasizing the humility associated with the Franciscan habit.

With only three visible sources of light within the painting itself, it is easy to imagine how dim the crypt of Saint Francis must have been during the Pope’s visit in 1449. This is not a luminous composition; rather, the single candle implied within the scene seems powerful enough to radiate throughout the entire space, casting its glow from left to right and even illuminating those figures who stand partially in shadow.

Some of the characters appear slightly out of scale, particularly the Peruvian family depicted in the lower left corner. Their lavish clothing suggests noble status. Yet this family clearly belongs to a later historical period, and they would not have been present when Pope Nicholas V visited the tomb in the fifteenth century. Their inclusion illustrates how the artist combined historical memory, legend, and contemporary patrons within a single devotional image.

Pope Nicholas V reigned from 1447 until his death on 24 March 1455, and his visit to Assisi in 1449 later became associated with the Franciscan tradition of a mystical encounter with Saint Francis.





This image is a public domain image, which means either that copyright has expired in the image or the copyright holder has waived their copyright. Franciscan Gallery charges for the access to high resolution copy of the image. Manually restoration was necessary in order to improve quality, without covering the original image.

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